Erik Weaver
31 Aug, 2026
Erik Weaver of USC’s Entertainment Technology Center (ETC) discusses generative film production, digital actors and the coming influx of AI in Hollywood.
In this episode of The Data Movement, host Paul Langston talks with Erik Weaver, principal of AI and Emergent Media at USC's Entertainment Technology Center, about how AI is being integrated into filmmaking and what it could mean for the future of media production.
At the centre of the conversation is The Bends, an experimental short film produced using generative AI workflows. Rather than relying solely on prompts, the project combined traditional filmmaking practices — storyboarding, shot planning and creative review — with AI-powered tools.
For Weaver, AI's greatest potential is expanding what's possible in filmmaking. By helping teams tackle scenes that were once too costly, complex or time-consuming, these tools can extend the creative ambition and human expertise behind great storytelling.
As workflows evolve, they also introduce operational challenges. AI-assisted productions generate more versions of shots, assets and supporting files, increasing the need for storage, metadata management and systems that keep content organised and accessible throughout the production lifecycle. Generative work containing actors can’t be done with public models, and the data must be deleted when production ends, making private infrastructure mission critical.
In this episode, you'll hear:
For Weaver, his most important principle remains unchanged: technology exists to serve great storytelling.
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